Exhibitions.

Sheridan Ledger wall, ca. 1885

PROVENANCE
The Wellington Collection, Long Island, NY

EXHIBITED
The Metropolitan Museum of Art, February 28 to May 27, 1984

PUBLISHED
Pleasing the Spirits, Ewing, Ghylen Press, 1982, plate 156.
“Native American Exhibition at the Metropolitan Museum of Art”, Maurer, American Indian Art Magazine, Autumn 1982, pg. 36.
Pearlstone Mathews, Zena. Symbol and Substance in American Indian Art. New York: The Metropolitan Museum of Art, 1984, pg. 20, pl. 11.

PROVENANCE
Collected by Isabella Jean Macroy (b. 1860 d. 1947) a schoolteacher in the Dakota and Oklahoma territories

Quirt, ca. 1850 and Buffalo hide Robe, ca. 1840

PROVENANCE
This elk horn quirt was acquired by Mordecai Thomas Bartram 1843-1904) a government licensed trader to the Iowa and Sauk between 1871 and 1873 at the Great Nemaha Indian Agency, Nohart, Nebraska. The quirt, together with a group of Bartram’s letters and other objects were passed down through the Bartram family.

PROVENANCE
Reportedly found in a barn in Upstate New York

PROVENANCE
Acquired in 1976 from Sun Hawk (Joe Sandoval [grandson of Geronimo]), Taos War Chief

PROVENANCE
The Wellington Collection, Long Island,NY

EXHIBITED
The Metropolitan Museum of Art, February 28 to May 27, 1984

PUBLISHED
Pleasing the Spirits, Ewing, Ghylen Press, 1982, plate 156
“Native American Exhibition at the Metropolitan Museum of Art”, Maurer, American Indian Art Magazine, Autumn 1982, pg. 36
Pearlstone Mathews, Zena. Symbol and Substance in American Indian Art. New York: The Metropolitan Museum of Art, 1984, pg. 20, pl. 11

Attributed to Jaw (Okicizi Tawa) (b. 1850 d. unknown)
Teton Sioux, Standing Rock Reservation, North Dakota

PROVENANCE
The majority of works by the artist Jaw were collected by the ethnomusicologist Frances Densmore at Standing Rock Reservation from 1911 to 1914 while compiling material for her publication “Teton Sioux Music”, published in 1916

PROVENANCE
Napoleon Moore, Mohawk Lodge, Clinton, OK
Ron Bork, Chicago, IL

EXHIBITED
Kansas City Art Institute, November 18 to December 18, 1984

PUBLISHED
Native American Parfleche: A Tradition of Abstract Painting, Kansas City, Kansas City Art Institute, pl.

PROVENANCE
Dr. Luther R. and Frances T. Zehner collection, Pennsylvania acquired from Mrs. Alice Howard

Private Collection

Private Collection

Private Collection

SOLD

SOLD

Private Collection

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Private Collection

Private Collection

Private Collection

(b. 1852 d. 1910)
Fort Marion
Cheyenne

SOLD

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Cheyenne

Cheyenne

Private Collection

SOLD

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Private Collection

Attributed to Howling Wolf
Southern Cheyenne
Central Plains

Flute, ca.1900 and Ledger Drawings

PROVENANCE
Collected by Ralph “Doc” Hubbard (b.1885 d. 1990) a prominent early enthusiast and educator in the field of American Indian crafts and culture.

Obsidian Wealth Blades, 19th century

Obsidian Wealth Blades, 19th century

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

EXHIBITED
The Robert Hayden Museum, Georgia

PROVENANCE

John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
.
The Robert Hayden Museum, Georgia
.
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s.

EXHIBITED

The Robert Hayden Museum, Georgia

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

EXHIBITED
The Robert Hayden Museum, Georgia

PROVENANCE

John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
.
The Robert Hayden Museum, Georgia
.
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s.

EXHIBITED

The Robert Hayden Museum, Georgia

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

EXHIBITED
The Robert Hayden Museum, Georgia

PROVENANCE

John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
.
The Robert Hayden Museum, Georgia
.
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s.

EXHIBITED

The Robert Hayden Museum, Georgia

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

 EXHIBITED
The Robert Hayden Museum, Georgia

PROVENANCE

John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
.
The Robert Hayden Museum, Georgia
.
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s.

EXHIBITED

The Robert Hayden Museum, Georgia

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

EXHIBITED
The Robert Hayden Museum, Georgia

PROVENANCE
John George Baedlein (b. 1865 d. 1958), a Kansas City architect and amateur archeologist
The Robert Hayden Museum, Georgia
George Terasaki collection, New York, NY, acquired 1960’s to 1970’s

EXHIBITED
The Robert Hayden Museum, Georgia